Dune: Part Two
Paul Atreides unites with Chani and the Fremen while on a warpath of revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the known universe, he endeavors to prevent a terrible future only he can foresee.
RATED PG-13 FOR SEQUENCES OF STRONG VIOLENCE, SOME SUGGESTIVE MATERIAL, AND BRIEF STRONG LANGUAGE.
“The art of cinematic spectacle is alive and rocking in Dune: Part Two, and it’s a blast.” – Manohla Dargis, New York Times
“Dune: Part Two is exactly the movie Part One promised it could be, the rare sequel that not only outdoes its predecessor, but improves it in retrospect… One of the best blockbusters of the century so far.” – Austen Goslin, Polygon
“…everything about Dune: Part Two is incredible… This is the sort of bold, stylish, well-made, and well-told epic sci-fi/fantasy that we need more of, and it’s nice to see a major studio allow a filmmaker to take such an ambitious swing. At almost every moment you can tell you are watching something magnificent; an instant classic, not just within the genre but for cinema as a whole.” – Sean Farrell, AFPL Journal
Bob Marley: One Love
Bob Marley: One Love celebrates the life and music of an icon who inspired generations through his message of love and unity. On the big screen for the first time, discover Bob’s powerful story of overcoming adversity and the journey behind his revolutionary music.
RATED PG-13 FOR MARIJUANA USE AND SMOKING THROUGHOUT, SOME VIOLENCE, AND BRIEF STRONG LANGUAGE.
“This is exactly the kind of movie that improves on subsequent viewings, allowing you to enjoy it more once you accept the narrative on its own terms.” – Michael Talbot-Haynes, Film Threat
“Bob Marley: One Love is an intimate look at the man, music and message that changed the world; a message which is as timely as ever.” – Kevin Bourne, Shifter
“When I was watching the movie, I felt like I was really watching Bob Marley.” – Tony Baker, Tony Baker Comedy
Anatomy of a Fall
For the past year, Sandra (Sandra Hüller), her husband Samuel, and their eleven-year-old son Daniel have lived a secluded life in a remote town in the French Alps. When Samuel is found dead in the snow below their chalet, his suspicious death is presumed murder, and Sandra becomes the main suspect. What follows is not just an investigation into the circumstances of Samuel’s death but an unsettling psychological journey into the depths of Sandra and Samuel’s conflicted relationship.
RATED R FOR SOME LANGUAGE, SEXUAL REFERENCES, AND VIOLENT IMAGES.
“Though some may come for the murder mystery, it’s Triet’s way of using that genre to get at deeper notions of love turning to hate, and tiny marital fissures that turn into chasms, that really makes this something close to an anti-romantic masterpiece.” – David Fear, Rolling Stone
“I can’t find a single flaw in this masterwork of a movie and would wholeheartedly recommend it for everyone.” – Sean Farrell, AFPL Journal
“It’s a precise study of how strife and conflict metastasize if left unresolved. And by grounding these fine-tuned dramatics in the guise of a genre picture, it works to profound effect.” – Courtney Howard, AV Club
Imaginary
When Jessica (DeWanda Wise) moves back into her childhood home with her family, her youngest stepdaughter Alice (Pyper Braun) develops an eerie attachment to a stuffed bear named Chauncey she finds in the basement. Alice starts playing games with Chauncey that begin playful and become increasingly sinister. As Alice’s behavior becomes more and more concerning, Jessica intervenes only to realize Chauncey is much more than the stuffed toy bear she believed him to be.
RATED PG-13 FOR SOME VIOLENT CONTENT, DRUG MATERIAL, AND LANGUAGE.
“Imaginary may not reinvent horror, but it knows how to conjure up a good time.” – Matt Goldberg, The Wrap
“While a bit unwieldy, Imaginary is a playfully deranged movie that’s sure to be a hit at slumber parties. But grown-ups can enjoy its spirited scares, too.” – Kristy Pcuhko, Mashable
“Though it lacks some of the finesse of top-tier Blumhouse, Imaginary is a fun, slightly silly horror that holds an enjoyment in watching the story play out with more psychological twists than you would expect.” – Burt Peterson, SciFiNow
Arthur the King
Over the course of ten days and 435 miles, an unbreakable bond is forged between pro adventure racer Michael Light (Mark Wahlberg) and a scrappy street dog companion dubbed Arthur. Based on an incredible true story, Arthur the King follows Light, desperate for one last chance to win, as he convinces a sponsor to back him and a team of athletes (Simu Liu, Nathalie Emmanuel, and Ali Suliman) for the Adventure Racing World Championship in the Dominican Republic. As the team is pushed to their outer limits of endurance in the race, Arthur redefines what victory, loyalty and friendship truly mean.
RATED PG-13 FOR SOME STRONG LANGUAGE.
“Get ready for a heart-pumping experience with Arthur the King—a sports drama that will leave you cheering for more.” – Alan Ng, Film Threat
“Arthur the King is a sweetly sentimental story all but guaranteed to move any dog fancier to tears.” – Roger Moore, Movie Nation
“Obviously, being a dog lover goes a long way toward one’s enjoyment of Arthur the King. But even if you’re not, you won’t be able to resist this canine thespian who manages to convey a world of information merely through barks. And he doesn’t even need those.” – Frank Scheck, The Hollywood Reporter
The Taste of Things
1885. Peerless cook Eugenie (Juliette Binoche) has worked for the famous gourmet Dodin (Benoît Magimel) for the last 20 years. As time went by, the practice of gastronomy and mutual admiration turned into a romantic relationship. Their association gives rise to dishes, one more delicious than the next, that confound even the world’s most illustrious chefs. But Eugenie is fond of her freedom and has never wanted to marry Dodin. So, he decides to do something he has never done before: cook for her.
RATED PG-13 FOR SOME SENSUALITY, PARTIAL NUDITY, AND SMOKING.
“The Taste of Things is rare, with a depth and maturity we don’t often see on screens anymore. It charts the connection of two mature adults who are at peace with themselves and each other. There’s a calm restraint to their relationship, and that adds to the film’s sensuality.” – Karen Gordon, Original Cin
“In our world of gross TikTok hacks for one pot meals, it’s a balm to see things slowed down and with many, many beautifully rustic copper pots and cast-iron pans.” – Lindsey Bahr, Associated Press
“Food porn has never been yummier on film than it is in this indecently delicious French romance starring on-and-off screen lovers Juliette Binoche and Benoît Magimel as dueling foodies who craft mouth-watering dishes as a way of finding each other’s hearts.” – Peter Travers, ABC News
Sasquatch Sunset
In the misty forests of North America, a family of Sasquatches—possibly the last of their enigmatic kind— embark on an absurdist, epic, hilarious, and ultimately poignant journey over the course of one year. These shaggy and noble giants fight for survival as they find themselves on a collision course with the ever-changing world around them.
RATED R FOR SOME SEXUAL CONTENT, FULL NUDITY, AND BLOODY IMAGES.
“A bizarre tale about a family of sasquatch is an emotional masterpiece of experimental cinema and fart jokes.” – Clint Gage, IGN
“Sasquatches may not exist, but miraculously enough, this movie does, and like the creatures it depicts, it must be seen to be believed.” – Peter Debruge, Variety
“It’s a special movie that can make you laugh out loud numerous times at gross comedy and then make you think and feel something, too. There’s also something to be said for a movie that seems like the most fun these actors ever had.” – Mick LaSalle, San Francisco Chronicle
One Life
Sir Nicholas ‘Nicky’ Winton (Johnny Flynn) is a young London broker, who, in the months leading up to World War II, rescued 669 children from the Nazis. Nicky visited Prague in December 1938 and found families who had fled the rise of the Nazis in Germany and Austria, living in desperate conditions with little or no shelter and food, and under threat of Nazi invasion. He immediately realised it was a race against time. How many children could he and the team rescue before the borders closed? Fifty years later, it’s 1988 and Nicky (Anthony Hopkins) lives haunted by the fate of the children he wasn’t able to bring to safety in England; always blaming himself for not doing more. It’s not until a live BBC television show, That’s Life!, surprises him by introducing him to some surviving children – now adults – that he finally begins to come to terms with the guilt and grief he had carried for five decades. Based on the book If It’s Not Impossible…: The Life of Sir Nicholas Winton by Barbara Winton.
RATED PG FOR THEMATIC MATERIAL, SMOKING, AND SOME LANGUAGE.
“In another in a long line of memorable, effective and inspired performances that resonate with truth, Anthony Hopkins is a magnificent centerpiece.” – Rex Reed, Observer
“This is what Hopkins has been showing us for decade after decade: the deepest, rawest and most tortured feelings of private, dignified men. His is nothing less than a glorious cinematic legacy, and the miracle is that he keeps building on it.” – Mick LaSalle, San Francisco Chronicle
“The film has the power to bring its audience to tears because the story is powerful, and the thoughtful creative decisions do justice to it.” – Isabella Soares, Collider
Frasier: Season 1
Dr. Frasier Crane (Kelsey Grammer) moves to Boston, where he sees familiar faces, makes new friends in Boston and seeks to reconnect with his son Freddy (Jack Cutmore-Scott) in the revival of the NBC comedy series.
RATED TV-14. CONTAINS LANGUAGE, SEXUAL REFERENCES, AND THEMATIC MATERIAL.
“Such is the sharp delineation of the writing and acting that they [Eve (Jess Salgueiro) and Olivia (Toks Olagundoye)] feel familiar within an episode. Freddy’s fire crew are also great value… Does it work? On the strength of the first five episodes, very much so.” – Jasper Rees, The Telegraph
“The old faces are missed, and the tone is resolutely old-fashioned. But Frasier proves a versatile sitcom hero once more, heading back to his original city for new escapades with plenty of warmth and invention. Craniacs should be sated.” – Nick de Semlyen, Empire
“This is not one of those revivals whose very existence will force you to consider your own passing life and impending mortality. And Grammer is so completely Frasier — a deceptively unsentimental character in a basically sentimental show — that the new edition, for all its innovations, wraps itself comfortably around him.” – Robert Lloyd, Los Angeles Times
Aristotle and Dante Discover the Secrets of the Universe
Based on Benjamin Alire Sáenz’s YA novel, the film centres on the friendship between two teenage Mexican-American loners in 1987 El Paso who explore a new, unusual friendship and the difficult road to self-discovery.
RATED PG-13 FOR SOME STRONG VIOLENCE, STRONG LANGUAGE, SEXUAL MATERIAL, TEEN DRUG/ALCOHOL USE, THEMATIC ELEMENTS, AND SMOKING.
“With her feature debut, Alberto keenly understands that any story of self-discovery is as much a constellation as it is a journey, and that’s how her adaptation plays, as a mature accumulation of the tender, the uneasy and the clarifying.” – Robert Abele, Los Angeles Times
“The stories of growing up and finding yourself remain the same, but it’s the moving performances and specific details embroidered on this one that make it so special.” – Katie Walsh, Seattle Times
“Alberto doesn’t hit viewers over the head with eighties nostalgia. She has crafted a sweet, disarmingly tender coming-of-age tale, one that believes opposites not only attract but also bring out the best in each other. It gives your heart a warm squeeze.” – Rubén Rosario, MiamiArtZine
Fitting In
16-year-old Lindy (Maddie Ziegler) is unexpectedly diagnosed with a reproductive condition, MRKH syndrome. The diagnosis upends her plans to have sex, her presumptions about womanhood and sexuality, her relationship with her mother (Emily Hampshire), and most importantly, herself.
RATED R FOR SEXUAL CONTENT, LANGUAGE THROUGHOUT, DRUG USE AND DRINKING – ALL INVOLVING TEENS.
“It’s refreshing to see a sex comedy that recognizes that it’s really not all that simple for all of us.” – Sumner Forbes, Film Threat
“With a strong performance from Maddie Ziegler, Fitting In is a wonderful film, set to remind us that there is no such thing as ‘normal’, and that being a teenager is always hard.” – Leo Brady, A Movie Guy
“Fitting In, which was inspired by McGlynn’s own experience with MRKH, is a sweet coming-of-age story that doesn’t sugarcoat the complicated nature of Lindy’s struggles. It examines preconceptions of gender and sex with frank warmth, and Ziegler’s considered performance is open-minded and unafraid, especially when scenes call for her to confront her sexual shortcomings.” – Emily Zemler, Observer
Destroy All Neighbors
William Brown (Jonah Ray Rodrigues), a neurotic, self-absorbed musician determined to finish his prog-rock magnum opus, faces a creative roadblock in the form of a noisy and grotesque neighbor named Vlad (Alex Winter). Finally working up the nerve to demand that Vlad keep it down, William inadvertently decapitates him. But, while attempting to cover up one murder, William’s accidental reign of terror causes victims to pile up and become undead corpses who torment and create more bloody detours on his road to prog-rock Valhalla.
NOT RATED. CONTAINS GRAPHIC VIOLENCE, STRONG LANGUAGE THROUGHOUT, DRUG USE, AND SEXUAL REFERENCES.
“An all-out assault on the senses that’s fun, funny, and still capable of making you a little queasy. That’s Destroy All Neighbors in a nutshell, but that’s also just the beginning.” – Matthew Jackson, Paste
“The only film you’ll see this year with a limbless torso playing drums with animated entrails, this wickedly witty take on the seamy side of creative ambition is well worth a spin.” – Kim Newman, Empire
“Much like wannabe prog-rock musician William Brown’s music, not everyone is going to ‘get’ the juvenile horror-comedy Destroy All Neighbors, but those who do are going to adore the ever-loving heck out of it.” – Sara Michelle Fetters, MovieFreak
Creation of the Gods I: Kingdom of Storms
After conspiring with a conniving fox demon to kill the emperor and seize power, King Zhou reigns as a tyrant so brutal that he incurs the wrath of Heaven. In a final attempt to save the mortal world from desperate peril, the gods decide to intervene and invest in an unlikely champion brave enough to challenge the evil king—even if it may cost him everything.
NOT RATED. CONTAINS BLOODY ACTION & FANTASY VIOLENCE AND THEMATIC CONTENT.
“Wuershan’s film is a ravishing romp through Chinese folklore that bursts with sumptuous production design, breathless action, and some surprisingly racy scenes of forbidden passion.” – James Marsh, South China Morning Post
“For those with some appreciation for or knowledge of the source material, you will be enamored with this incredible, sprawling adaptation that captivates from start to finish.” – Douglas Davidson, Elements of Madness
Inside the Yellow Cocoon Shell
After a car accident claims the life of his sister-in-law and leaves his 5-year-old nephew an orphan, a thirtysomething man named Thien (Le Phong Vu) leaves Saigon for a trip back to his rural hometown. During his meditative, wandering visit, Thien wrestles with his own agnosticism in the face of others’ religious beliefs, summons memories of his long-disappeared brother, and reconnects with a former girlfriend who now lives as a nun at a Christian church and school.
NOT RATED.
“The panoramic intelligence of this film is a wonder.” – Peter Bradshaw, The Guardian
“This is a remarkable debut feature; provocative, absorbing and mysterious. There are no easy answers to the big existential questions, just a desire to seek them out with a kind heart and good intentions. In the end you just have to have faith.” – Allan Hunter, Screen Daily
“A three-hour drama whose slender story serves as the skeleton for a formally exquisite examination of loss, faith, family, and connection, it’s the year’s first masterpiece.” – Nick Schager, The Daily Beast
Knox Goes Away
Hitman John Knox (Michael Keaton) attempts to make amends before his recently discovered dementia takes over. Aided by a trusted friend (Al Pacino) with his own shady past, Knox races against the police — and his own rapidly deteriorating mind — to save his estranged son (James Marsden) from a vengeance-fueled mistake and “cash out” before it’s too late.
RATED R FOR VIOLENCE AND LANGUAGE.
“Knox Goes Away doesn’t traffic in comedy — or exaggerated reality. In addition to being a noir that holds you exactly the way a noir should, it may be one of the best dramas about dementia I’ve ever seen.” – Owen Gleiberman, Variety
“The supporting work is stellar, but this is Michael Keaton’s film to carry every step of the way, and he turns in a typically fine and layered performance as a man who might find relief in the loss of his memories, given all the dark acts he’s committed.” – Richard Roeper, Chicago Sun-Times
“Knox Goes Away is, like its antihero, smart, unconventional and almost obsessively careful. Its unhurried pacing and mood of quiet deliberation won’t be for everyone; but this low-key thriller resolves its shockingly high stakes with a twisty intelligence.” – Jeannette Catsoulis, New York Times
Sleeping Dogs
An ex-homicide detective (Russell Crowe) with memory loss is forced to solve a brutal murder, only to uncover chilling secrets from his forgotten past.
RATED R FOR VIOLENCE / BLOODY IMAGES, SEXUAL CONTENT, AND LANGUAGE.
“Sleeping Dogs is a modern noir, depicting a world of justice delivered without mercy, even if many years have passed. It’s a serious and intelligent crime drama that will keep you guessing to the end.” – Daniel M. Kimmel, North Shore Movies
“What holds the film together, and what holds our attention to the very end, is the powerful performance by Russell Crowe as a man haunted by demons he can’t quite remember.” – Richard Roeper, Chicago Sun-Times
The Tiger’s Apprentice
The story centers on a normal boy, Tom, who gets drawn into this world against his wishes when his eccentric grandmother who he lives with in San Francisco’s Chinatown turns out to be the guardian of the phoenix egg. When his grandmother perishes in battle and is spirited away in a ghost cart, Tom must apprentice with an unlikely mentor – a tiger, Mr. Hu – to learn ancient magic and become the egg’s new protector. They team with an unlikely band of exotic creatures, each representing a different sign of the Chinese zodiac, who can morph into human form while retaining their innate animal characteristics.
RATED PG FOR ACTION / VIOLENCE, THEMATIC ELEMENTS, SOME LANGUAGE, AND SUGGESTIVE REFERENCES.
“The Tiger’s Apprentice is a self-contained, satisfying story that will both entertain and tug at the audience’s heartstrings.” – Arezou Amin, Collider
“This visually-stunning movie finds a way to keep a culturally-rich storyline with mythological roots grounded in a modern-day teen world, from the silly jokes to getting around on a skateboard.” – Jennifer Borget, Common Sense Media
“The cast is exceptional, with Goulding, Liu, Oh, Lewis, Soo Hoo, and Yeoh all giving excellent performances.” – Josiah Teal, Film Threat
Canary
Witness the extraordinary life of Dr. Lonnie Thompson, an explorer who went where no scientist had gone before and transformed our idea of what is possible. Daring to seek Earth’s history contained in glaciers atop the tallest mountains in the world, Lonnie found himself on the frontlines of climate change—his life’s work evolving into a salvage mission to recover these priceless historical records before they disappear forever.
“The journey of Thompson’s life is a riveting, inspiring every-man story. The humble underdog transforms into an adventurer visionary and improbable pillar of the scientific community.” – Sarah Vincent, In Between Drafts
“…this deliberately paced documentary makes a persuasive argument about climate change to anyone who still needs convincing.” – Todd Jorgenson, Cinemalogue
“Wisely spends almost half its time getting to know Thompson so by the time it gets to climate change, only the most rabid idealogue would see this man as a grand stander.” – Hope Madden, Fox 28 Columbus
Chop & Steele
Two comedians famous for pranking local news stations find themselves in federal court after their latest stunt goes viral.
NOT RATED. CONTAINS LANGUAGE AND THEMATIC MATERIAL.
“Walking away from Chop & Steele, I have great admiration for Joe Pickett and Nick Prueher. They see the silliness behind the world’s seriousness. It’s stated in the film that they use mischief to save the world, and I wholeheartedly believe that.” – Alan Ng, Film Threat
“A very funny and entertaining documentary about friendship, the art of comedy, and the skill and creativity it takes to execute the perfect practical joke – even if it lands you in serious legal trouble.” – Louisa Moore, Screen Zealots
“Tells us the unique story of a couple of talented fringe comedic figures and makes it clear that local morning TV shows have no standards or discernment whatsoever when it comes to booking segments.” – Stephen Silver, Tilt
T.I.M.
An engineer begins work on her company’s latest product, an A.I. humanoid called T.I.M. – Technologically. Integrated. Manservant. Things take a turn for the worse when T.I.M.’s servient programming leads to a dangerous obsession with her.
NOT RATED. CONTAINS VIOLENCE, SEXUAL CONTENT, STRONG LANGUAGE, THEMATIC MATERIAL, AND SMOKING.
“T.I.M. is a satisfying look at the horrors of technology as it integrates with our everyday lives.” – Terry Sherwood, Film Threat
“As unnervingly smart and sinister as its insurgent android, this cautionary tale tests our evolving, inverting relationship with our own tools.” – Anton Bitel, Sight & Sound
“This is a canny film about the uncanny valley, punctuated by fears that don’t yet have specific names and phobias, including deep-fake horror scenarios and ‘that feeling when one’s phone shills for something you just thought about’.” – Tara Brady, Irish Times
The Roundup: No Way Out
Detective Ma Seok-do investigates a murder case uncovering a Yakuza drug operation in South Korea. Conflict arises with the DEA Captain Joo when Ma’s squad clashes with his jurisdiction, hindering their investigation. When Yakuza boss Ichizo senses his business is in danger, he sends hitman Ricky and his gang to South Korea to bring about order…
NOT RATED. CONTAINS VIOLENCE, BLOODY IMAGES, STRONG LANGUAGE, AND DRUG USE.
“You don’t need to watch the previous Crime City movies to follow No Way Out, but you should, because they rule, and any excuse to watch Ma Dong-seok punching fools is a good one.” – Pete Volk, Polygon
“If you miss the blatant disregard for one’s rights and a bit of brutality that came in the form of Lethal Weapon and Beverly Hills Cop, The Roundup: No Way Out is as good as it gets for those feelings of modern-day nostalgia.” – Alan Ng, Film Threat
“Even now, three films deep, with both returning The Roundup director Sang-yong Lee and returning screenwriter Kim Min-sung, this schtick is not only still fresh, it’s an absolute joy.” – Douglas Davidson, Elements of Madness
Hidden Blade
During World War II, at the height of China’s war of resistance against Japan, a group of courageous citizens develops a top-secret underground espionage network right under the nose of the newly established puppet regime. At increasingly great peril to their own lives, the double-agents masterfully extract classified information from deep behind enemy lines, an effort that gives rise to the united front that will help turn the tide of the conflict.
NOT RATED. CONTAINS VIOLENCE AND THEMATIC CONTENT.
“Yibo’s performance seals Hidden Blade’s status as an unexpected pleasure. Once finally assembled, its cinematic intricacies yield infinite rewards.” – Alex Abed-Santos, Vox
“Hidden Blade walks the line between art film and commercial extravaganza. The end result is a spectacle movie with a focus on story.” – Nathaniel Muir, AIPT
“Cheng Er seems to have studied Tarantino, Hong Kong and Korean cinema quite thoroughly and the result is a truly exceptional spy thriller that thrives equally on visuals, acting and overall atmosphere.” – Panos Kotzathanasis, Asian Movie Pulse
Between the Rains
During a period of record low rainfall in northern Kenya, the Turkana tribe faces growing violent clashes with rival tribes and encroaching wild predators hunting their livestock. Kolei, a sensitive shepherd boy whose name translates to “living amongst the goats”, questions not only his path as a warrior, but also the erosion of the culture that has shaped every aspect of his life.
NOT RATED.
“With its languid pace, Between the Rains affords the audience an immersive experience into a land few people know much about.” – Murtada Elfadl, Variety
“Through its focus on one young member of the nomadic Turkana community, this sharp documentary makes clear the personal cost of this global issue through lived experience.” – Nikki Baughan, Screen Daily
“The documentary Between the Rains tells a compelling parallel story of rivalries between communities and rivalries between two brothers during a tension-filled drought period in Kenya. One of the highlights of the movie is its impressive cinematography.” – Carla Hay, Culture Mix
Hanky Panky
A man and his best friend, who is a talking napkin, must save the world from an evil top-hat, and also learn to love.
NOT RATED. CONTAINS GRAPHIC VIOLENCE, SEXUAL CONTENT, STRONG LANGUAGE, DRUG USE, AND THEMATIC CONTENT.
“Hanky Panky is a delightfully unserious horror movie crammed with comedy.” – Becca James, Chicago Reader
“It’s silly, it’s wild, and it’s filthy in all the right ways, made by a team with a clear love of film.” – Jules Caldeira, Film Inquiry
“Proudly a B-movie, this gleefully silly slasher plays like the best stoner comedies, offering a world where paranoia is justified and getting high is downright heroic.” – Kristy Puchko, Mashable
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